Language Selection
Industriesalon
Serbia, Switzerland, Germany
Marina Džukljev - piano
Christian Weber - bass
Michael Griener - drums
At Berlin’s Industriesalon Schöneweide—described as "one of Germany’s largest ensembles of industrial heritage sites"—Swiss bassist Christian Weber and German drummer Michael Griener, both frequent collaborators with artists such as Aki Takase and Ellery Eskelin, joined forces with Serbian pianist Marina Džukljev. Classically trained in her hometown of Novi Sad by a student and assistant of Emil Gilels, the 43-year-old artist draws upon the "history of pianism" to devote herself extensively to both New Music and the improvisational avant-garde. The resulting soundwork twitches and crackles, hums and clatters, flows along like a conveyor belt and surges with sonic static—all with such industrial-melodic resonance that one almost feels transformed into a futuristic, kraftwerk-ing "man-machine" oneself.
Marina Džukljev - piano
Christian Weber - bass
Michael Griener - drums
At Berlin’s Industriesalon Schöneweide—described as "one of Germany’s largest ensembles of industrial heritage sites"—Swiss bassist Christian Weber and German drummer Michael Griener, both frequent collaborators with artists such as Aki Takase and Ellery Eskelin, joined forces with Serbian pianist Marina Džukljev. Classically trained in her hometown of Novi Sad by a student and assistant of Emil Gilels, the 43-year-old artist draws upon the "history of pianism" to devote herself extensively to both New Music and the improvisational avant-garde. The resulting soundwork twitches and crackles, hums and clatters, flows along like a conveyor belt and surges with sonic static—all with such industrial-melodic resonance that one almost feels transformed into a futuristic, kraftwerk-ing "man-machine" oneself.
