Language Selection
Crutches
Austria, Russia, Germany
Valentin Schuster - drums
Olga Reznichenko - keys
Jan Frisch - git, voc
Laure Boer – Klangkunst
Wimp, Frog, and Claw are only three of the "FOUR LTTR WRDS" of this festival-tested quartet, which released its debut album with "elevator music for the claustrophobic" in early 2025 on the Leipzig based label "Viel Erfolg Mit Der Musik" (Lots of success with the music). Guitarist, bassist, and composer Jan Frisch, keytarist and synthesizer player Olga Reznichenko, folktronics artist Laure Boer on "monochord, electronics, stones, telephone," and drummer Valentin Schuster, known from Edi Nulz/The True Harry Nulz, offer "tongue-in-cheek, acrobatic punk with metric ambivalence" to "sandblast well settled habits of reception”. The sound may briefly jangle and sparkle in an almost conciliatory way, but only to unleash a metal broadside on this krautrock chamber jazz barge within the next beautiful moment of shock. Epidemics and computers, particle physics and assembly lines are merely thematic “crutches” to be discarded as quickly as possible, optionally by way of expressive dancing.
Valentin Schuster - drums
Olga Reznichenko - keys
Jan Frisch - git, voc
Laure Boer – Klangkunst
Wimp, Frog, and Claw are only three of the "FOUR LTTR WRDS" of this festival-tested quartet, which released its debut album with "elevator music for the claustrophobic" in early 2025 on the Leipzig based label "Viel Erfolg Mit Der Musik" (Lots of success with the music). Guitarist, bassist, and composer Jan Frisch, keytarist and synthesizer player Olga Reznichenko, folktronics artist Laure Boer on "monochord, electronics, stones, telephone," and drummer Valentin Schuster, known from Edi Nulz/The True Harry Nulz, offer "tongue-in-cheek, acrobatic punk with metric ambivalence" to "sandblast well settled habits of reception”. The sound may briefly jangle and sparkle in an almost conciliatory way, but only to unleash a metal broadside on this krautrock chamber jazz barge within the next beautiful moment of shock. Epidemics and computers, particle physics and assembly lines are merely thematic “crutches” to be discarded as quickly as possible, optionally by way of expressive dancing.
